Interview: Awkward Prom Dates

After only being together for roughly three years, southern California natives, Awkward Prom Dates, just released their third record, Hellvetica. The foursome made up of James(vocals/guitar), Eli(vocals/guitar), Nico(bass/vocals), and Parker(drums) delved into new waters with their release by composing songs with fast pace tempos and sudden interjections of slow melodies. While keeping true to their dreamy, shoe-gaze roots—a genre that seems to have taken the music community by storm—APD audibly progress as a band, and give their listeners warmly vague tunes that are reminiscent of any slow-motion dream to be had. With songs like, Everglade, I am instantly reminded of one of my favorite Cure songs, Fascination Street, with the eerie strums of each guitar string and synth backing accompanied by a shadowy voice. Even with three contributing vocalists, there is a fluidity among them all and a haunting rawness. Overall, Hellvetica is nine songs of pure ecstasy and emits prismatic effects throughout, making it a more than ideal listen for anything to mindless wanderings to a lover’s dream soundtrack.

We had the chance to sit down with the guys of Awkward Prom Dates ahead of their release, and chatted about all things music while also getting the scoop on some upcoming gigs promoting, Hellvetica.

LD: Eli and James, you guys were the founding members of the band what initially made you want to start APD?

James: We didn’t want to be a band at first; we just wanted to write songs for ourselves. We didn’t have any intentions of showing anyone.

Eli: Then I showed my friend, Chris, Won’t Stop and Marjorie, and he really liked it, so we started showing our material to more people. We needed to build more confidence before we put ourselves out there.

LD: How did you all meet to form APD?

Eli: James and I met in another band; after a few months, we got a manager who started to take control of the band and stopped us from writing original music so we could be more like a cover band. I wasn’t about that so I left, and then James left. From there, we started making music together on the weekends and that’s how we got to where we are. We met Nico and Parker at a backyard show last summer and instantly knew we wanted to recruit them from their band to our band. Then, over the next few months their band faded away and we brought in Parker, and eventually, we could bring in Nico.

LD: ‘Awkward Prom Dates’ is a unique name, how did that come about?

Eli: It took us a long time to figure out a name, and eventually my sister started throwing out names and Awkward Prom Dates was the product of that.

LD: You released two albums in the past year and you are about to release your third album, which is unlike the timing that most bands put out their material. Are you afraid that putting out that much material will leave you without much to explore in the future?

Eli: Sometimes, but the way we’ve always ran our music, writing wise, is casual and was born out of our love to write it. We never get bored. I mean, we’re going to take a break after the release of Hellvetica, but that’s not going to stop us from continuing to write and make new material.

LD: Do you guys write based on your personal experiences or the perspective of others?

James: [laughing] I don’t. If I wrote about myself, it’d probably suck. I’ll notice some patterns in my writing, where I’ll listen to a song and realize in hindsight that it was about a certain situation but never intentionally.

Eli: For me, we started writing with a concept in mind. More recently, I’ve delved into exploring lyrics on a more personal note; I feel it adds more emotion to the piece.

Nico: It’s hard for me not write based on personal experiences and I often do it subconsciously. Initially I think I am writing lyrics about something random, but I’ll go back to it and see it was something I was going through at the time.

LD: Do lyrics or music come first in the recording progression?

Eli: The music usually. Music almost always comes first and then we decide what goes along with it. For this album, it’s conceptual, so every song is from a different perspective but there are still personal ties to each one.

LD: While making each song, is it a collaborative process?

James: It used to be more collaborative. The way it would work is, Eli would write the lyrics while I would do the music but with time we started swaying in to different things. On this upcoming album, I would say we each wrote about half the album and then maybe collaborated on one song. In the future, we are planning to collaborate more as a group [Eli, James, Nico, and Parker]. Overall, our focus is putting the best songs on the record no matter who originated it.

LD: Parker, being that your 6 months new to the band, do you actively add to the recording process?

I contribute more to the live performances as the drummer; I like playing really loud and being energetic, so sometimes the sound changes a bit but we kind of just roll with it. It tends to get more collaborative when we are practicing.

LD: Your sound is very reminiscent of artists like Wild Nothing, DIIV and could easily fall into the shoe-gaze category. Do those musicians/genre have an influence on you, or when you first formed the band was that the sound you made instinctually?

Eli: For James and I, in the beginning, we set out to write a dream-pop album and that’s what we did. The newer stuff, we were trying to set out to make a shoe-gaze record, but we pulled inspiration from our older projects so it’s sort of one big melting pot. It happened for a reason because it’s the music we love and what enjoy playing.

LD: What artists specifically  inspire your sound?

James: Well, as far as the first album of ours, we borrowed sounds from Joy Division, keeping to the bare essentials—guitar, bass, drums, and raw vocals.

Nico: I remember when James and Eli first started out, James said to me a couple of times he wanted them to be as big as Radiohead but by way of their own sound; I thought it was very admirable.

LD: What can we expect from the new album, Hellvetica?

Parker: I didn’t really help with writing as much this time around, but I did give them some ideas as I was listening to the album. What I can say is that it’s different from the other two records, but if you liked the previous material, you’ll probably like our new release even more. We don’t stray too far away from our old sound, but on the new album we took the best aspects of the last ones and combined them.

Eli: I agree. The new record, Hellvetica, flushes out a bit of what we did on the second album and takes pieces from the first while exploring new avenues and going on a tangent of its own.

LD: Was there any band, album or song that made you realize that you wanted to learn and create music?

James: mmm… not really.

Eli: When I was little, I really liked the Red Hot Chili Peppers and I wanted to play bass and be cool like Flea. Overall, music really interested me and that spiraled into me learning a whole bunch of stuff.

Parker: Well, I have ADHD and as a kid I was always tapping on everything, so my mom just threw me into drum lessons and IT WORKED. I picked it up relatively fast and kept wanting to learn more. My favorite musician would have to be Dave Grohl.

Nico: I’ve been playing trumpet for 8 years now, and around my junior year I started really getting into John Coltrane. Hearing some of the stuff he did and getting into other artists in that genre, like Charles Mingus, made me want to pick up bass, as well the Red Hot Chili Peppers.

LD: Being that you are quite a new band, is it hard getting used to the feeling of performing in front of people?

Eli: At first. I really enjoyed our first show, but it took a while to figure out how to get a crowd going. Now, I deal with being awkward and having fun with that.

James: Performing versus writing songs is very different for me. I like writing songs and trying to articulate them to make them a masterpiece, whereas playing shows, I realized people want loud music they can dance to a sing along with. It varies for me; I’ll always get a bit nervous before a show, even playing in front of my grandma of all people.

LD: What’s your favorite song to perform live?

Parker: For sure, Black Blizzard. It starts off at a good tempo that’s fun to dance to, but then it picks up and gets really heavy.

Nico: My favorite to play live would probably have to be Loosen Up because I love the bass line paired with James’ vocals on it. Annabelle is fun too—I love the way the crowd responds to it.

James: Even though we’ve only played it twice, Night Ride, has always been one of my favorites. As far as right now, it would most likely be Annabelle, because towards the end, Eli sings and I can take a break.

Eli: For me, Annabelle is also my favorite. We all love Anabelle because that was the first song we played that ever had a mosh pit.

James: The thing about that song, is that we have a good energy in it. The first time we played it, I went in the mosh pit with my guitar, and when I got out, it was crazy out of tune and I had to play the rest of the song with it sounding horrible. I was cringing after we finished, but then I looked over at the guys, and they all said it was the best song we’ve ever played.

LD: If you could curate a festival, who would make up your dream festival headliners?

James: Radiohead, Paul McCartney, and Smashing Pumpkins if they play their old stuff.

Eli: Gorillaz, My Bloody Valentine,

Parker: Twitch, Space Dot [James’ side project], and Nico Alter Ego (insert heavy sarcasm)

James to Parker: You just blew my mind.

Nico: Red Hot Chili Peppers, The Growlers, and Miles Davis.

LD: With the upcoming release of your new album, do you have any gigs lined up?

Eli: We currently have one we’re about to start promoting, but for now it’s under wraps.

James: We’ve got a lot more planned, so stay tuned.

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Ardyn Interview

By Corynne Fernandez 

 

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Emerging brother-sister-duo, Ardyn, have released 2 acclaimed EP’s and are currently working on more material–expanding their organic, while equally melancholic, growing discography. Writer, Corynne Fernandez, had the chance to catch up with the pair in midst of their dedicated studio sessions.

Answers by Rob and Katy.

How are you both doing? Are you excited about your upcoming show at Hoxton Hall after selling out your show back in December? 

Very well, thank you. we’re so excited for the show,  to be able to play such a beautiful room, well, we can’t ask for more. it should be a wonderful evening!

For those who don’t know, how did you collectively come up the fronting name, ARDYN? What meaning does it hold, if any?

We named the band after our cousin, Ardyn. she’s also an artist. we spent a while looking for a name and this one just made sense to us.

As brother and sister, did you find it natural to partner musically? Is it simpler to communicate where you want to take the group because of the relationship you share?

Yes it did feel quite natural. We’ve always written together, we never really took it that seriously though. It was only when we began performing our own songs live and started getting decent reactions from outside our family unit that we began to take it more seriously. We often check we’re still on the same page when it comes to ambition, sometimes it’s easy to talk about it, sometimes it really isn’t.  We’re very good at ignoring each other if we want to, but that’s just siblings, right?

You’ve released two acclaimed EP’s since 2015, are there plans to release a debut album this year?

We’re taking our time to get the right songs and get some more experience as writers and performers, to release an album this year would be amazing.

I read that your latest EP, The Valley, was produced by, James Ford (Florence & The Machine, Arctic Monkeys) and Mike Crossey (Foals, The 1975). Can you describe how it was working with them and how it was you all met? 

Working on that particular song, The Valley, was a lot of fun because everything was live, which we like. When it came to recording the song with James Ford we used the demo, it had a great energy that we didn’t think we’d be able to capture again. Mike Crossey mixed that one. The rest of the EP was actually recorded with Rodaidh Mcdonald who did the first EP, Universe.

What were the inspirations behind Universe and The Valley EP’s? How would you say your sound and lyrics have evolved between releases?

The Universe EP came from a very natural place, inspiration came from our surroundings in Gloucestershire. The film Pride and Prejudice inspired me to write The Garden. Call Up was about love and loss. The lyrics especially in songs like Universe and Help Me On My Way are more abstract and inspired by more mysterious and often philosophical feelings about the world and our place in it, I suppose. The Valley EP has a slightly clearer sentiment all the way through. We were still inspired by our surroundings and abstract concepts but this time we tried mixing this with more relatable subjects, I think this method of writing is best shown on our track Shadow Light (live From The Pool). The sound on The Valley EP is more electronic in places however that’s something that excited us and that we intend to explore further for sure.

Katy, you have a haunting vocal delivery, that is equally serene and unique. Do you have anyone that you look to for inspiration, or been compared to anyone? 

I would say I’m definitely drawn to artists like Beach House and Kate Bush because of their powerful and instinctive vocal deliveries.

As a band, who are your favorite artists?  

We really love Kate Bush because of her total originality. We’re big fans of Kings Of Leon, we’re hoping to see them in July. More recently, Maggie Rogers.

You are also going to be playing Kendall Calling for the first time! Is it nerve-racking knowing you’ll be performing to a larger audience or are you eager to play to a sea of new faces?

We’re really happy to be playing and always excited to play to new people. It’s very rewarding and fun winning people over!

Speaking of festivals, who would make-up your ideal lineup?

 Air, Zero 7, Interpol, R.E.M, Coldplay, Kings Of Leon, Crosby, Stills and Nash, Kate Bush, Beach House and The Roots. There are some amazing lineups this summer!

Lastly, what are you most looking forward to in the coming year? 

Releasing new music and lots of gigs!

 

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Staff Picks: 2016 Albums of the Year

By Lilli Banks

2016 was such a wonderful year for creating, producing, and putting out new music. I was flooded with new albums and singles which made my top two choices for this year quite difficult. I decided that my two favorite albums of 2016 are I Like It When You Sleep For You Are So Beautiful, Yet So Unaware of It by The 1975 and Disappear Here by Bad Suns.

#1: I Like It When You Sleep For You Are So Beautiful, Yet So Unaware of It by The 1975

I Like It When You Sleep For You Are So Beautiful, Yet So Unaware of It is an album compiled of 18 songs. It’s quite a different sound than their debut album. The song has some upbeat songs with lots of instrumentals and songs that tell new stories. Matty Healy, lead singer and writer, has a spectacular vocabulary that creates a picturesque scene for the listener as the music itself creates the atmosphere. The album goes deeper into the writer’s life with his mother’s postpartum depression and questioning his identity, etc. Thanks to the language he uses and innovative uses of instruments, the songs take you to place where he is and puts you in the writer’s position. I find the album to be enticing from beginning to end especially with the way he takes you into his world. One of my all-time favorite songs, Loving Someone is featured on this album. It has become the anthem for the LBGT community, which is quite close to my heart. The song portrays a message that has the entire crowd at a show, screaming the lyrics. I was lucky enough to be one of the people screaming in the crowd after a heavy event in the United States. Hearing these songs live was something I was expecting to be quite similar to the studio album. Since The 1975 use a lot of beats and sounds from computers, I expected that sort of experience. It surely changed my world to hear it live. They created that strong atmosphere on stage which was brilliant to witness. It is an album that truly got me to fall in love with The 1975 and is now one of my favorite albums.

#2: Disappear Here by Bad Suns

Disappear Here by Bad Suns also reigns in my top two albums for 2016. As a sophomore album, some artists tend to change their sound and venuture more. They definitely experimented a bit more, but they were still able to capture the same sound and excitement that the first album, Language and Perspective had. Bad Suns music is perfect for jamming with your friends, your windows down, and the wind flying through your hair. This album kept that liberating feeling that I got with the first album. Disappear Here was the first single released off the album and definitely brought in a new crowd. It also brought such high anticipation for the release of the full album.There is not a single song off the album that I skip or wait for it to end. I was lucky enough to see 10 of the new songs on their Disappear Here tour. I am quite in love with Daft Pretty Boys, Love Like Revenge and Maybe We’re Meant to Be Alone. I was able to ask Christo, the lead singer and writer, about MWMTBA after the show. I grew even more of a love for the song. I hope to hear Love Like Revenge live when they go on their Heartbreaker Tour (there will be a gallery or review for that so stay tuned!). I highly recommend giving this album a listen and I hope you enjoy it as much as I do.

Honorable Mentions:

(some albums were not released this year)

First Impressions of Earth – The Strokes

The 1975 – The 1975

COIN – COIN

The Balcony – Catfish and the Bottlemen

Blossoms – Blossoms

Disappear Here – Bad Suns

The Altar – BANKS

Glitterbug – The Wombats

ILIWYSFYASBYSUOI – The 1975

Wiped Out! – The Neighbourhood


Girl Power Playlist 

With such a male dominated industry, we felt like it was time to put a much deserved spotlight on all the incredible female driven artists and bands by composing a playlist dedicated to them! Female empowerment is essential to this publication, and more importantly, to the vast amount of women trying to pave their own path in the world today. Enjoy!

Girl Power Playlist 

New Music Radar: Hoops 

By Julie Giffin 

Hoops, a four piece lo-fi and shoegaze outfit hailing from the midwest, released an EP in August that has definitely sparked my interest. Hoops was initially guitarist Drew Ausherman’s solo project, but that didn’t last very long. Kevin Krauter, Keagan Beresford, and James Harris ended up joining Drew, completing the newfound quartet. After bursting into the scene in late 2015/early 2016 with their first two tapes, Hoops gained a bit of traction by receiving attention from NME and other music publications. This lead them to eventually getting signed to and releasing their debut EP with Fat Possum. 


Their dreamy and fuzzy instrumentals reminds me quite a bit of DIIV and also give off a Mac Demarco circa his “2” album vibe. Songs like Cool 2 and Gemini portray the ambiance of a lazy summer day to a T. The heavy use of reverb throughout the EP but especially in the song Give It Time (my favorite track on the EP), creates a very relaxed atmosphere. The drums seem to just hang in the background, giving the guitars the forefront, thus making a magical aura. For being such a new band, Hoops definitely have mastered their sound and have phenomenal live shows. Check out their “Hoops on Audiotree Live” compilation on Spotify!

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September: Music You Need In Your Life

Is it us, or has the year gone by incredibly fast? This year has boasted an abundance of incredible new musicians and material, prompting us to pick out some of our favorites. While there have been several talented artists in recent months, Declan McKenna and Banes World have made such an impression here at Lucid Dreams. Hopefully you give these musicians some love and enjoy them as much as we do.

Read below for more info on the artists.
1. Declan McKenna

Singer/songwriter, Declan McKenna, is a Hertfordshire native, with musical abilities well above his ripe age of  17. You may recognize McKenna’s upbeat indie banger, Brazilwhich has amassed to somewhat of a summer anthem due to an incredible amount of radio play. More recently, Declan released a new single titled, Isombardwhich touches on US law and order during the age of the #blacklivesmovement. It is refreshing seeing young artists, such as Declan McKenna, who aren’t afraid to speak about today’s issues. Not only do his songs reveal poignant messages, but they are blissfully accompanied by lively composition. Isombard, for us particularly, has subtle Wes Anderson film vibes brought to you by a welcomed ping pong match between keys ands guitar. Being a musician is hard enough, but McKenna, who mind you is ONLY 17, has the extraordinary capability to relay a story along with seamless sounds. If we haven’t convinced you enough already to listen to this guy, give him the old follow on Twitter; his humor alone, will make you a fan!

Make sure to catch him on tour !

2. Banes World


Shane Blanchard, rather known as, Banes World, hails from Long Beach, California. Anyone who is  a sucker for soft hazy tunes to accompany woeful nights,  is bound to be smitten by Shane’s music; he epitomizes the essence of dreamy synth. A personal fave of ours is Valentine’s Cursebut we would highly recommend you start off with Still Lovely and float through the rest of his discography.With his uniquely composed synth pop tunes, there isn’t anyone in the game quite like Banes World. What makes the wistful songs even better are the endearing lyrics, and their notion to pull you in with a faint whisper. If you’re anything like us, and have a soft spot for the hopeless romantics, you most likely will find solace in his song, Gorgeous, in which he collaborated with artist,Temporex. In terms of similar sound, it is like if  Mac Demarco and Blood Orange had procreated, and he was their infamous love child. We COULD NOT go this whole post without being a little punny and also summing up how we feel about Blanchard, so here it is folks, “BANE’S WORLD. PARTY ON. EXCELLENT!”

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Jakob Danger Interview

Recently, we interviewed rising artist, Jakob Danger and his band mates Chris and Enzo Malaspina, at VLHS in Pomona. With their ability to cover a variety of genres within their composition of 8 songs, any listener is sure to find something they love. The band is currently on tour with Dog Party and are in the process of making new music for their eager audience. To find out a little bit more about this ‘barely legal’ trio (shout out to whoever gets that reference) from Oakland, listen to our interview below that touches on everything from The Strokes to pancakes and waffles.

Jakob Danger Interview

Checkout their music on Soundcloud here!

Follow them on Instagram and Twitter!

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-Kayla & Corynne

Film Adventures: Catfish and the Bottlemen 

Earlier this month we headed to Long Beach to see Catfish and the Bottlemen perform an acoustic set. These guys never fail to impress us. Also they just released their new album ‘The Ride’ so make sure to grab that! 

Film Adventures: Wild Nothing

We had the chance to photograph Wild Nothing last month at their show in Santa Ana! The show left us moonstruck. Wild Nothing brings nothing but good vibes with their soothing and chill tunes. Don’t forget to get their latest album ‘Life Of Pause’, we guarantee you’ll be dancing around! It was our first time using 35mm film so we hope you enjoy!

-Corynne & Kayla

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